Tag Archives: based on a fact

L.D. Times Article: The Blank Canvas, 2017

25 Aug

Lala Drona opens up for the first time about her experience since arriving in China in an exclusive interview with the L.D. Times.  She comments on her new video, due to release next week: “The Blank Canvas.”   A deep and inspiring article that delves into the artist’s psyche.

Click the image below to read the full 6-page spread.

The Blank Canvas

 

 

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When the cat’s away, the mice will play!

18 Jun

Lala Drona’s departure from Paris to Beijing marks the third occasion in which she has left a community of Drones behind.  Ms. Drona leaves each group of Drones with a specific set of instructions and regulations to follow while conducting their art and muse experiments.   However, without much oversight, it was just a matter of time before the Drones would start to take over.

In the name of art, two Drones have gone rogue, continuing their research and conducting art experiments unsanctioned by the Lala.  Drone Fletcher and Drone Tinas have implicated themselves in an online confession and apology, revealing the circumstances of their digression.

Has Lala lost control over her Drone franchises?  Will this video spark a trend in Drone digression?  Lala has got her hands quite full recruiting Eastern Drones in Beijing…will she lose control over her Western partners?

Based on a Fact.

Terry Samson, Creative Science Journal

La Rupture

5 Jun

Lala Drona- La RuptureLala Drona has made her first artistic appearance since arriving in Beijing, but one could say she’s not quite all there.  In her newest performance art video, Lala Drona sports a broken tooth.  In typical “Lala” fashion, she gives no explanation to what happened, hoping that the art will be enough to satiate her followers.  Lala Drona- La Ruture (2)The peculiar thing is, this gaping smile isn’t all that unfamiliar.  Lala Drona emerged broken-toothed in February 2013, just some four years ago right after she moved to Paris, France.  Why Lala is sporting a look from four years ago is past us, and whether or not she sprouts the next fashion tooth-trend is up for debate.
But in all seriousness, it is quite strange that the last two times Lala has changed countries, she has emerged with a broken tooth.  As the video mentions both Paris and Beijing, one can infer that Lala is not only talking about her dental fracture, but also the fracture that comes from leaving a country, and its people behind.  She also states that Lala Drona- La Rupture (3)she doesn’t have much time [before someone comes and repairs her.]  In the performance, Lala expresses a desperation to explore her moment of “rupture,” before someone comes and “fills in the gap” so to speak.
We can all relate to this feeling of rupture, whether it be saying goodbye to someone, or moving on from a particular stage in our lives.  Most of us try to push through it as quickly as possible.  However, in her video performance, “La Rupture,” Lala asks us to pay attention to it, to live it and to appreciate it while it’s there.  It could be where your rawest creativity exists.

Based on a fact.

Percy Fleming, Beijing’s Booming Magazine

Lala’s Latest Performance Art

19 Feb
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Photos by Yegan Mazandarani (Agence Sauvage)

Lala has sent shockwaves through internet video platforms after the release of her video titled “Lala and Drone #1’s Latest Performance.” Despite media pressure, she continues to plea the fifth when asked to comment on the performance’s legitimacy.

f1000022The video begins with photographer Yegan Mazandarani shooting Lala Drona and Drone #1 in their classic black Drone attire and sunglasses. An instrumental version of “We found love” plays in the background as the camera follows the frantic scene into Paris’ Town Hall.  For the main event of the performance, Lala Drona and Drone #1, stand in front of the French authorities in order to merge their assets and forge an alliance in legal matrimony.  After a quick ceremony (and a very convincing kiss) the couple move on to the second act of the performance: signing the documents that legalize their union.  Next, the couple exit their performance to the song “Young, wild and free.”

But did they really get legally married?  As we recall, Drone #1 and Lala Drona hf1020018ave a rocky past.  His breach in Drone Code resulted in his exile from the Lala World,
followed by the gruesome Drone-Muse experiment which inspired Lala Drona’s tryptic Je suis la fin qui justifie les moyens (I am the end that justifies the means).  Since then, Drone #1 underwent a new Drone Reprogramming Procedure, and hasn’t left Lala’s side ever since.  Perhaps Lala has forgiven Drone #1, and this alliance is a reconciliation of all past indiscretions?  This could be the reason why the song “I want you back” by Micheal Jackson also plays in the video.

No sources have come forward in order to debunk the supposed marriage. However, another possibility could be that Lala Drona and Drone #1 legitimately married for art’s sake.  Perhaps the duo is aligning in order to critique the traditional act of marriage as “performance.”

Journalists continue to look for answers, however the officials at Town Hall will not speak to whether or not the wedding was legitimate.  It is possible that Lala could have pulled a few strings in order to create some cheap internet buzz.  Sooner or later, the truth will reveal itself.

Based on a fact.

Tony Jericho, PerformArt Magazine

 

The Tarot Unfolds: Lala relocates to Beijing

21 Dec

Lala in Beijing

At the end of 2012, Lala arrived in Paris in search of inspiration for her paintings and world creation.  Along with inspiration, she also stumbled upon success, as gallery owners and collectors found her work groundbreaking.  She felt like a star, but all things have an expiration date…

One cold day in February 2013, while on her way to an event, Lala took a violent fall on the subway station stairs in Paris.  This painful welcome to Paris left her with a broken tooth and knocked unconscious.  Her friends rushed her to an emergency hospital where dentists repaired her teeth by sealing the cracks and capping the lateral incisor.  However, the trauma she suffered would have lasting effects far beyond this.

In the summer of 2016, Lala travelled from Paris to Sedona, Arizona and visited a medium.
The medium read the Death card, a card denoting change…the death of one thing and the beginning of another.  Lala took the card quite literally, and rushed funeral arrangements, creating plans for her last tableaux, a funeral installation displaying her body in her coffin, breasts exposed, surrounded by flowers.  Needless to say, Lala’s reaction was an overreaction, as she probably wasn’t really going to die, but still, Death wasn’t going to let her get off that easy.

In November 2016, while rehearsing her next performance piece “Phalanges revitalisation,” she felt a sharp pain around her nose and front teeth.
The pain was unbearable and her Drones took her to an emergency dentist.  The dentist found that both of her incisors were “necrosées” (necrotized, dying).  Lala underwent a “devitalisation,” a procedure where the dentist drilled holes into her teeth in order to kill the nerve and disinfect each tooth.  The dentist then filled in her two teeth like mummified bodies.  A literal Death, foreseen in the cards.  After the three-week long procedure, Lala’s teeth felt back to normal again, but, Death’s influence had just begun. teeth-2016-png-jpg (text continued below).

Towards the end of 2016, due to too many failed art experiments, and Lala’s plunging media presence, investors in Paris pulled out from financially supporting Lala, leaving her with a large debt from which to recover.  With the Lala Laboratory destroyed, and Drones scattered around the world, Lala’s artistic success seemed ill-fated.  All her efforts were futile, and Lala at her lowest, went out to the bars in Paris, and danced another deadly dance with red wine and the Paris underground.  In the tunnels of the Paris subway, she tripped on the stairs and fell again, hitting her head on the wall.  The next morning, Lala woke up in the Paris subway with a jarring headache, and a beeping coming from her phone.   Lala looked at her phone to find an email from a group of investors in Beijing, China.  They were fascinated by her work and were inviting her to relocate her projects to their home country.  A drastic change, presented itself.  As foreseen in the cards, the beginning of one thing,  and the death of another.  Lala hastily accepted the project.

She is calling out to all Drones in Beijing, as her estimated time of arrival is mid-March, 2017.  She will spread her Drone empire, rebuild the Lala Laboratory, and resume her art/Muse experiments.

It seems the Death card has closed its chapter on Paris.  Lala’s accident on arrival in Paris caused her teeth to slowly die over the 4 years she has spent there.  Now that her teeth have finally perished, so has her time in Paris.  A promising future awaits, as Lala will soon begin her next chapter in Beijing, China.

Based on a fact.
Alisa McQueen, Art Tomorrow Weekly Magazine



Exhibition: Narcisse Obligé

10 Oct

Lala Drona to appear in collective exhibition “Narcisse Obligé” at La Savonnette Electrique next weekend October 15th-16th, and during the rest of the month by appointment only.

Ken Phak interviews Lala about her work and upcoming exhibition in The L.D. Times magazine.  Mirror, Mirror- L.D. Times article 2016.

LD Times October 2016, Mirror Mirror

Tarot Reads DEATH: Lala plans funeral arrangement.

11 Aug

title photo funeral plans-001Lala Drona has reported trouble sleeping and vivid nightmares during her spiritual walkabout through the Western United States.  Many dreams end in her death, or the death of another at her own hand.

DSC_0754.JPGWhile perusing along the rusted streets of Sedona, Arizona, Lala Drona stumbled upon a very familiar looking building.  A sudden rush of déjà vu came over her.  The font of the letters on the glass, and the rusted color on the exterior of the shop called to her.  Lala’s dream the night before involved a psychic warning her of imminent death, and the shop in front of her was the spitting image of the shop in her dream.
Tarot readingLala entered and smelled the same nagchampa lavender candle that burned in the dream the night before. She sat on the paisley printed cushions in the room and waited as Madame Bonnie, the same psychic from her dream entered into the room.  Reliving the scene, Lala followed her into a hidden room in the back.

Lala answered Madame Bonnie’s question before she had time to answer it.  “Yes, this is my first tarot reading,” she said.
Madame Bonnie looked into Lala’s eyes and squinted. “You are a very sensitive person, aren’t you?  Perhaps some psychic abilities of your own?”  Madame Bonnie took Lala’s hand and read her past life.  “You were a creative…a very sensitive and spiritual woman in your past life.  Your ideas were unusual but intelligent.  There were many people around you that were jealous, and you died early on because of this…somewhere in your twenties.  You are still this woman today, but today people are much more accepting of your ideas.  This is the time you were meant to live in, so now you are living out the life she didn’t get the chance to.”

Madame Bonnie asked Lala to shuffle the cards, and laid them down on the table in a celtic cross fashion.  Lala anticipated the death card.  As soon as Madame Bonnie laid it down, she said, “Are you dealing with death at the moment, or anything resembling death?”Tarot guide

Lala wanted to tell Madame Bonnie of how she lived her life…of how she intentionally confronted death daily, how she called upon death  everyday in order to live life well.  To appreciate the things she had and to extract drive from it.  However, Lala responded, “No.”
“Many people fear the death card, but it can be a very positive card.  It signifies change, and in your case an extreme change in your career…the death of one thing and the birth of another.  I read that you will soon receive the type of recognition that you have been searching for in your career.”  Lala thought of her projects, the book she’d been writing and her new art piece to be released in an exhibition in October.

Immediately after, Lala called a video
meeting with several Drones and Muses to plan her funeral arrangements.  An open casket funeral displaying the body of the artist covered in flowers, only the breasts and face exposed.  As the artist has vowed to only show her breasts in her paintings, she has denied several prominent photographers her image.  The funeral will be the sole moment in the artist’s life that the public will see her breasts “dans la vie réelle.”  The installation is what Lala Drona likes to call her “final piece.”
Lala explained the piece to Based On a Fact:
“I’m not planning on going anywhere now, but I would like my life’s work to finish with something beautiful and intentional.  As Marina Abramovic said You cannot choreograph death, but you can choreograph your funeral.”

Based on a fact

Harry Gilbert, Sedena Art Tribune

BCasket explanation-001

NO MORE DRONES!

27 Jun

Lala stands in front of the crowdProspective Drones everywhere lined up on the warm-lit cobble-stone streets of Paris, for the premier of The Drones Video Project 2016.  Sporting their sunglasses, the crowd chanted Drone Code, in hopes of meeting the artist and enlisting in her Army of Drones.  Frequently at these events, one can find recruitment booths manned by the official Drones buzzing words like “transcendence,” “higher purpose,” and “transformation” into prospective recruits’ ears.   However, this time, there were no booths, no official Drones gathering the masses.  Wewantyou-001

A Lala-shaped roar formed from the people’s mouths when Lala Drona and her 35 official Drones came out from the doors of the Opera Garnier, where the Drone Video Project had just premiered.  Cameras flashed onto the black mass that consisted of the Drones and Lala.  They made their way down the red carpeted stairs, each step followed the crowd’s chanting: “Drones will be loyal to Drones, Drones will be loyal to Lala.”

When they reached the bottom of the stairs, Lala Drona lifted her hand to silence the public.  She looked to Drone Ember, standing on her right.  Drone Ember stepped forward and looked at the hundreds of warm bodies standing in front of her, her head still slightly tilted towards the floor.  She stared the public down through her black industrial glasses.

“On behalf of Lala Drona and the Drones, I would like to thank all of you for coming out, and supporting our mission to reach creative potential.”  The Drones behind Ember were a black stone wall, a fortress sandwiching their art queen, Lala.  Cameras continued to flash and click.  “However, it is to my greatest regret to inform you that Drone Recruitment has been closed.”  Drone Ember raised her voice, speaking over the mob’s gasps and whispers.  “We currently do not know when Drone Recruitment will reopen, and we apologise for any inconvenience this may have caused you.”Drone Ember

The disgruntled crowd shouted and booed as Drone Ember returned to Lala’s side.  The art authorities forged a path through the crowd, and Drone #1 took Lala’s arm, leading her and the other Drones down the human-made aisle.  The 35 official Drones surged through like blackened blood through a vein, and in an instant, Lala and her Drones vanished somewhere on the other side of the crowd.

See the Drones Video Project 2016 below:

La Politesse.

6 May

In the form of video performance, Lala Drona recounts her personal experience living abroad.  After moving to Paris, France in 2012, Lala films herself performing in French for the very first time.

She speaks with her face blanketed in flesh-colored mesh; she pulls and pushes through the material, illustrating the tension between the “natural” and “foreign” behaviours she experiences abroad.  The camera frame often segments parts of the face, zooming in on her mouth in order to draw focus to her words.  The video successfully transmits an oppressive ambience, the pressures of living up to societal norms when immersing yourself into a new culture.

Based on a Fact

Damian Fuller, Minimalism and Manners Blog

 

The Penelope Show: Muse Pink

28 Mar

BOAFMusePINK           During the past few years, artist Lala Drona has surprised and stunned us with her artwork and unconventional artistic philosophy.  However, we rarely ask Dali and Galaabout the inspiration behind such products.  The concept of the muse originates from Greek mythology; they are the goddesses which inspire literature, science and the arts.
Some famous muse/artist duos to be noted are Dalí and his wife Gala, Jack Kerouac and Neal Cassady, and Robert Mapplethorpe and Patti Smith.  Although the modern day use of the term muse describes someone or something that inspires an artist writer or musician, Lala Drona has taken the concept a bit further.
In The Lala World (Lala Drona’s artistic universe), muses are consultants that provide a service to artists and individuals.  Jack and nealBefore Muses created their own unions, there were neither official contracts nor protection provided to them by the State.  After much struggle, legislation was passed to give Muses rights and compensation for their work.  However, some artists and muses continue to work off the books and receive their compensation under the table.  Lala Drona and her Muses are some of the few who continue this tradition.
Why would artists and Muses prefer to keep their business off the books?  Perhaps artists and muses with unconventional artistic practices don’t want the authorities affecting their processes.  Perhaps certain muses and artists negotiate non-monetary compensation for their services?  Penelope from The Penelope Show explores the concept of muse with Muse Pink, a muse known to have worked with artist Lala Drona.  See the video below.

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