Archive | Quotes RSS feed for this section

Go Hashtag Yourself Interview, 2018

5 Oct

Lala Drona sits down with L.D. Times Magazine once again for an exclusive  interview.  This time she discusses the ways in which social media and the Internet influence and affect her work as an artist.  Read the full article here.

 

 

Advertisements

Goodbye beauty and into the Darkness

28 Aug

I am beautiful

Artist:  “How would you describe this painting?”

Viewer: “I like it, but it’s so dark.  Sort of bumming me out.”

Artist:  “Really? You think it’s dark?

"Dr. Royal" Paris 2013
“Dr. Royal” 2013, by Lala Drona

 

I have dedicated my entire life to creating art.  Spanning from paintings, to video, to performance art, to short fiction.  I believe that creating from the most personal, connects most universally.  However, words in the form of viewer-comments hover over my creations, descriptors like “suffering,” “painful,” and “dark.”

The funny thing is, I’ve always been embarrassed of my dark side showing, although it is the natural way I create.  I feel like I seem weak, too self-pitying or self-indulgent; I’m ruining your good time.  During the creative process, my mind and hand have made a pact to tone down the darkness, to try and make it more digestible through bright colors, or balanced/symmetrical design which is pleasing to the eye.

 

I look at my pieces now with suspicion.  My themes are dark, and most embody suffering, because that has been my reality.  The decision to aesthetically express darkness and suffering in a way that is pleasing to the eye

“Beautiful on the Inside” 2017, by Lala Drona

plays the role of propaganda and glamourizes a perpetual cycle of suffering.  It packages hard truths in a cruelty-free, sterile and overly-inspected product—something impersonal and all too easy for the mind to take in and forget, trauma-free.

The truth is, as a woman with my specific experience, I believe that I’ve expressed my darkness through the scope of beauty because I felt that this was the only way my experience had value.  I am beautiful, therefore I am.  Gaining and being rejected access to resources has been heavily based on my outward appearance and presentation ([un]attractive; woman), and has infiltrated the most sacred parts of my being, and now I’ve been creating from it.  The societal pressures to be “polite,” “make sure everyone’s having a good time,” and “keep it light” have only served to silence my voice and my art has suffered because of it.  I am aesthetically pleasing to them.  I am beautiful, therefore I am theirs.

Moyen No. 1
“Moyen No. 1” 2015 by Lala Drona

                  Confronting the darkness within, a darkness I believe we all have access to, and then unabashedly expressing it, is one of my greatest fears.  However, I have always believed that if something scares you, it is a sign that you are going in the right direction, so you must do it.  The darkness in my work seems to always peek through, and now its time to confront it and accept it fully.  To approach its truth.

 

“Doom and Destiny” 2017, by Lala Drona

I fear that I’ll lose a handle on reality when diving into the darkness and chaos.  I fear what I will discover, what doors I may open or whether I’ll be able to return from the madness.  However, I must reconcile this within myself, and so here today, I pledge to create something brazenly dark.  No protection, and no filters that make the message more digestible.

I will release myself from the external motivators, from the viewer-comments and the male-gaze.  I will neither be nice nor polite, and I definitely will not “keep it light.”  I will create something “ugly,” and I will make the viewer

The First Follower_20180225
“The First Follower” 2018, by Lala Drona

accompany me into the darkness.  Because We still exist without the mask of their “beauty.”  I will create something that aesthetically matches and communicates its message.  I will communicate truth.

Yes, I am beautiful, but I am not theirs.

 

See Lala Drona at her next exhibition in Paris at Galerie Art’et Miss in Paris, France– Sept. 8th 6pm-8pm.

invit-drona

Radio Interview with a Visual Artist

8 May

Lala Beijing Radio 2018_BOAF.png

Lala Drona in her first ever public radio appearance on Beijing International Radio.  Listen to her interview on Touch Beijing 93.2FM, where she explains what it means to be a visual artist today, and how Beijing has inspired her art.  Stay tuned until the end where she reveals her plot for the future.

 

L.D. Times Article: The Blank Canvas, 2017

25 Aug

Lala Drona opens up for the first time about her experience since arriving in China in an exclusive interview with the L.D. Times.  She comments on her new video, due to release next week: “The Blank Canvas.”   A deep and inspiring article that delves into the artist’s psyche.

Click the image below to read the full 6-page spread.

The Blank Canvas

 

 

Exhibition: Narcisse Obligé

10 Oct

Lala Drona to appear in collective exhibition “Narcisse Obligé” at La Savonnette Electrique next weekend October 15th-16th, and during the rest of the month by appointment only.

Ken Phak interviews Lala about her work and upcoming exhibition in The L.D. Times magazine.  Mirror, Mirror- L.D. Times article 2016.

LD Times October 2016, Mirror Mirror

Tarot Reads DEATH: Lala plans funeral arrangement.

11 Aug

title photo funeral plans-001Lala Drona has reported trouble sleeping and vivid nightmares during her spiritual walkabout through the Western United States.  Many dreams end in her death, or the death of another at her own hand.

DSC_0754.JPGWhile perusing along the rusted streets of Sedona, Arizona, Lala Drona stumbled upon a very familiar looking building.  A sudden rush of déjà vu came over her.  The font of the letters on the glass, and the rusted color on the exterior of the shop called to her.  Lala’s dream the night before involved a psychic warning her of imminent death, and the shop in front of her was the spitting image of the shop in her dream.
Tarot readingLala entered and smelled the same nagchampa lavender candle that burned in the dream the night before. She sat on the paisley printed cushions in the room and waited as Madame Bonnie, the same psychic from her dream entered into the room.  Reliving the scene, Lala followed her into a hidden room in the back.

Lala answered Madame Bonnie’s question before she had time to answer it.  “Yes, this is my first tarot reading,” she said.
Madame Bonnie looked into Lala’s eyes and squinted. “You are a very sensitive person, aren’t you?  Perhaps some psychic abilities of your own?”  Madame Bonnie took Lala’s hand and read her past life.  “You were a creative…a very sensitive and spiritual woman in your past life.  Your ideas were unusual but intelligent.  There were many people around you that were jealous, and you died early on because of this…somewhere in your twenties.  You are still this woman today, but today people are much more accepting of your ideas.  This is the time you were meant to live in, so now you are living out the life she didn’t get the chance to.”

Madame Bonnie asked Lala to shuffle the cards, and laid them down on the table in a celtic cross fashion.  Lala anticipated the death card.  As soon as Madame Bonnie laid it down, she said, “Are you dealing with death at the moment, or anything resembling death?”Tarot guide

Lala wanted to tell Madame Bonnie of how she lived her life…of how she intentionally confronted death daily, how she called upon death  everyday in order to live life well.  To appreciate the things she had and to extract drive from it.  However, Lala responded, “No.”
“Many people fear the death card, but it can be a very positive card.  It signifies change, and in your case an extreme change in your career…the death of one thing and the birth of another.  I read that you will soon receive the type of recognition that you have been searching for in your career.”  Lala thought of her projects, the book she’d been writing and her new art piece to be released in an exhibition in October.

Immediately after, Lala called a video
meeting with several Drones and Muses to plan her funeral arrangements.  An open casket funeral displaying the body of the artist covered in flowers, only the breasts and face exposed.  As the artist has vowed to only show her breasts in her paintings, she has denied several prominent photographers her image.  The funeral will be the sole moment in the artist’s life that the public will see her breasts “dans la vie réelle.”  The installation is what Lala Drona likes to call her “final piece.”
Lala explained the piece to Based On a Fact:
“I’m not planning on going anywhere now, but I would like my life’s work to finish with something beautiful and intentional.  As Marina Abramovic said You cannot choreograph death, but you can choreograph your funeral.”

Based on a fact

Harry Gilbert, Sedena Art Tribune

BCasket explanation-001

NO MORE DRONES!

27 Jun

Lala stands in front of the crowdProspective Drones everywhere lined up on the warm-lit cobble-stone streets of Paris, for the premier of The Drones Video Project 2016.  Sporting their sunglasses, the crowd chanted Drone Code, in hopes of meeting the artist and enlisting in her Army of Drones.  Frequently at these events, one can find recruitment booths manned by the official Drones buzzing words like “transcendence,” “higher purpose,” and “transformation” into prospective recruits’ ears.   However, this time, there were no booths, no official Drones gathering the masses.  Wewantyou-001

A Lala-shaped roar formed from the people’s mouths when Lala Drona and her 35 official Drones came out from the doors of the Opera Garnier, where the Drone Video Project had just premiered.  Cameras flashed onto the black mass that consisted of the Drones and Lala.  They made their way down the red carpeted stairs, each step followed the crowd’s chanting: “Drones will be loyal to Drones, Drones will be loyal to Lala.”

When they reached the bottom of the stairs, Lala Drona lifted her hand to silence the public.  She looked to Drone Ember, standing on her right.  Drone Ember stepped forward and looked at the hundreds of warm bodies standing in front of her, her head still slightly tilted towards the floor.  She stared the public down through her black industrial glasses.

“On behalf of Lala Drona and the Drones, I would like to thank all of you for coming out, and supporting our mission to reach creative potential.”  The Drones behind Ember were a black stone wall, a fortress sandwiching their art queen, Lala.  Cameras continued to flash and click.  “However, it is to my greatest regret to inform you that Drone Recruitment has been closed.”  Drone Ember raised her voice, speaking over the mob’s gasps and whispers.  “We currently do not know when Drone Recruitment will reopen, and we apologise for any inconvenience this may have caused you.”Drone Ember

The disgruntled crowd shouted and booed as Drone Ember returned to Lala’s side.  The art authorities forged a path through the crowd, and Drone #1 took Lala’s arm, leading her and the other Drones down the human-made aisle.  The 35 official Drones surged through like blackened blood through a vein, and in an instant, Lala and her Drones vanished somewhere on the other side of the crowd.

See the Drones Video Project 2016 below:

Image

Happy Women’s Day 2016

8 Mar

Lala Woman's day 2016

Image

Happy New Ear 2016

1 Jan

Happy new ear 2016-FINAL

L.D. Times Interview: Art Games

23 Jun

After her debut in L.D. Times Magazine last year, Lala Drona appears again, revealing her Muse tendencies.

Click to see the full article

Click to see the full article

%d bloggers like this: