Lala Drona has made her first artistic appearance since arriving in Beijing, but one could say she’s not quite all there. In her newest performance art video, Lala Drona sports a broken tooth. In typical “Lala” fashion, she gives no explanation to what happened, hoping that the art will be enough to satiate her followers. The peculiar thing is, this gaping smile isn’t all that unfamiliar. Lala Drona emerged broken-toothed in February 2013, just some four years ago right after she moved to Paris, France. Why Lala is sporting a look from four years ago is past us, and whether or not she sprouts the next fashion tooth-trend is up for debate.
But in all seriousness, it is quite strange that the last two times Lala has changed countries, she has emerged with a broken tooth. As the video mentions both Paris and Beijing, one can infer that Lala is not only talking about her dental fracture, but also the fracture that comes from leaving a country, and its people behind. She also states that she doesn’t have much time [before someone comes and repairs her.] In the performance, Lala expresses a desperation to explore her moment of “rupture,” before someone comes and “fills in the gap” so to speak.
We can all relate to this feeling of rupture, whether it be saying goodbye to someone, or moving on from a particular stage in our lives. Most of us try to push through it as quickly as possible. However, in her video performance, “La Rupture,” Lala asks us to pay attention to it, to live it and to appreciate it while it’s there. It could be where your rawest creativity exists.
At the end of 2012, Lala arrived in Paris in search of inspiration for her paintings and world creation. Along with inspiration, she also stumbled upon success, as gallery owners and collectors found her work groundbreaking. She felt like a star, but all things have an expiration date…
One cold day in February 2013, while on her way to an event, Lala took a violent fall on the subway station stairs in Paris. This painful welcome to Paris left her with a broken tooth and knocked unconscious. Her friends rushed her to an emergency hospital where dentists repaired her teeth by sealing the cracks and capping the lateral incisor. However, the trauma she suffered would have lasting effects far beyond this.
In the summer of 2016, Lala travelled from Paris to Sedona, Arizona and visited a medium.
The medium read the Death card, a card denoting change…the death of one thing and the beginning of another. Lala took the card quite literally, and rushed funeral arrangements, creating plans for her last tableaux, a funeral installation displaying her body in her coffin, breasts exposed, surrounded by flowers. Needless to say, Lala’s reaction was an overreaction, as she probably wasn’t really going to die, but still, Death wasn’t going to let her get off that easy.
In November 2016, while rehearsing her next performance piece “Phalanges revitalisation,” she felt a sharp pain around her nose and front teeth.
The pain was unbearable and her Drones took her to an emergency dentist. The dentist found that both of her incisors were “necrosées” (necrotized, dying). Lala underwent a “devitalisation,” a procedure where the dentist drilled holes into her teeth in order to kill the nerve and disinfect each tooth. The dentist then filled in her two teeth like mummified bodies. A literal Death, foreseen in the cards. After the three-week long procedure, Lala’s teeth felt back to normal again, but, Death’s influence had just begun. (text continued below).
Towards the end of 2016, due to too many failed art experiments, and Lala’s plunging media presence, investors in Paris pulled out from financially supporting Lala, leaving her with a large debt from which to recover. With the Lala Laboratory destroyed, and Drones scattered around the world, Lala’s artistic success seemed ill-fated. All her efforts were futile, and Lala at her lowest, went out to the bars in Paris, and danced another deadly dance with red wine and the Paris underground. In the tunnels of the Paris subway, she tripped on the stairs and fell again, hitting her head on the wall. The next morning, Lala woke up in the Paris subway with a jarring headache, and a beeping coming from her phone. Lala looked at her phone to find an email from a group of investors in Beijing, China. They were fascinated by her work and were inviting her to relocate her projects to their home country. A drastic change, presented itself. As foreseen in the cards, the beginning of one thing, and the death of another. Lala hastily accepted the project.
She is calling out to all Drones in Beijing, as her estimated time of arrival is mid-March, 2017. She will spread her Drone empire, rebuild the Lala Laboratory, and resume her art/Muse experiments.
It seems the Death card has closed its chapter on Paris. Lala’s accident on arrival in Paris caused her teeth to slowly die over the 4 years she has spent there. Now that her teeth have finally perished, so has her time in Paris. A promising future awaits, as Lala will soon begin her next chapter in Beijing, China.
Based on a fact.
Alisa McQueen, Art Tomorrow Weekly Magazine
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