LEAKED: Ms. Drona’s Glamour Macabre

Over the past week, a fog of grey has been hovering over art media websites, revealing a series of achromatic paintings.  Lala Drona’s latest work, what some journalists are calling “Glamour Macabre” was leaked, and has taken the internet by storm.

Before her departure to Beijing, China, Lala Drona put on a private exhibition with selected guests from the art world.  The exhibition was by appointment at the art factory Le Lavoir, and despite prohibiting the use of smart phones and cameras, photos of her work were leaked.

“Et Alors” by Lala Drona, 2017, Acrylic on Wood Panel,

“Plugged In” by Lala Drona, 2017, Acrylic on Canvas, 100cm x 100cm

“Je t’aime, moi non plus” by Lala Drona, 2017, Acrylic on Canvas,

“Paris Punch” by Lala Drona, 2016, Acrylic on Canvas, 100cm x 100cm

“Muse Prayer” by Lala Drona, 2017, Acrylic on Canvas,

“I left my heart” by Lala Drona, 2017, Acrylic on Canvas,

“Doom and Destiny” 2017, by Lala Drona

“Beautiful on the Inside” by Lala Drona, 2017, Acrylic on Canvas, 50cm x 70cm

The photos were leaked without description, therefore the titles and sizes of the pieces still remain unknown.  One thing that is apparent is that Ms. Drona has decided to dive into shades of grey.  We first saw this choice of color in her triptych Je suis la fin qui justifie les moyens (I am the end that justifies the means) back in 2015 during the collective exhibition Je suis…   Color psychology theorises that grey is “being neither black nor white, it is the transition between two non-colors.”  Perhaps the color gray represents a transition in her work.
There may be negative consequences to the leak as many of the pieces were meant to be kept secret before her next public exhibition. Now, Lala Drona may have got herself into hot water with her Chinese investors.

In other news, Lala Drona has opened Drone Video submissions, so if you’re interested in becoming a Drone, please visit:  https://www.facebook.com/events/388488554868772/?notif_t=plan_reminder&notif_id=1489931961293145

Keep reading Based on a Fact for more updates on Lala Drona.

Exhibition: Narcisse Obligé

Lala Drona to appear in collective exhibition “Narcisse Obligé” at La Savonnette Electrique next weekend October 15th-16th, and during the rest of the month by appointment only.

Ken Phak interviews Lala about her work and upcoming exhibition in The L.D. Times magazine.  Mirror, Mirror- L.D. Times article 2016.

SCANDAL! Drone #1 speaks from the grave.

Three months after his death, Drone #1’s cell phone has been discovered.  It was found in the middle of a construction site outside the 13th district of Paris, buried deep in the rubble and it’s memory wiped.  However, the authorities were able to recover some of the lost data.  Among questionable images and messages stored in the phone, was a video of Drone #1 warning his fellow Drones against an alleged evil plot.

The Art Guild intends to question Lala and her Drones in the coming week.  Could Lala really be turning against her Drones and those around her? Or perhaps Drone #1 is misrepresenting Lala…an act of revenge before his banishment from The Lala World?

Based on a Fact

Hailey Manning, 27, Journalist for Art Eclectic Webzine

Lala’s prepares exhibition for October this year.

Just in, Lala Drona is confirmed to participate in a collective exhibition in Paris this October.  The names of the ten other artists have not yet been released.  The inspiration for the triptych that Lala will create was inspired by her last Lala Laboratory experiment, where she fed one of her Drones to a Muse. Lala Drona has decided to depict the story of how she and the Breast Series are connected and how she has used these images/story to create the artist we know today.

Stay tuned for more information on Lala’s coming exhibition.

Based on a Fact

Trouble in Paradise

P.E.D.:  Post Exhibition Depression.  This syndrome is a consequence of the rise in cortisone levels and surge of endorphins produced in the body to deal with the stress of the pre-exhibition process.  After the exhibition, artists experience a sort of “come down” from this self-produced drug high.

Life after the exhibition From the Bed to the Lab has been far from easy.  Lala has confirmed that she is suffering from P.E.D. and plans to “relax and spend time with friends and family during this difficult period.”  However, her attempts to lay low have not been successful.

Lala with her loyal Drones.

During the exhibition take-down, a fight broke out between Lala Drona and Drone #1.  Lala was reported threatening to “feed Drone #1 to the Muses.”  The reason for the blow out is unknown, but unconfirmed sources say the Drone #1 just never felt at home in The Lala World, and “needed a break for soul searching.”  Lala has released a statement saying that her and Drone #1 would no long be working together due to artistic differences.

When asked if she would be looking for a replacement, Lala said no, and that she would be retiring the number 1.  However, she is not saving the title in hopes that Drone #1 will return.  For the most part, The Lala World has an open door policy.  Collaborators enter and leave as they please.  However, once recruited by the Army of Drones, under contract, one is required to be loyal to Lala and other Drones.  Any form of mission abandonment is a breach of contract and results in a permanent surrender of one’s Drone title.

Journalists have tried interviewing other Drones to hear their opinion on the situation, but all have managed to remain silent.  When questioned about Drone #1’s banishment from Lala World, Lala stated, “Drone #1 in not banished.  He can return, but he can never return as a Drone.”

Based on a Fact.

Kevin Thurman, Journalist for Psychology Weekly Magazine   

From the Bed to the Lab: Lala’s upcoming exhibition.

Lala was spotted this week in Paris’ 11^th district measuring the walls of Düo, where she’s due to show her work December 11th-13th.  Lala’s exhibition “From the Bed to the Lab” will be a retrospective look at her time in Paris: how the city helped her find her way down the rabbit hole we now call the Lala World.  The three series of paintings and installations Lala has chosen for the exhibition illustrate a persisting struggle to find a place of her own in the world.

“I’ve come to the conclusion that life it just one big do-it-yourself project.  Since that realization, I see the possibilities are endless.  That’s what this exhibition is about.”

Since Lala’s arrival in Paris, she has created her own world, composed of fact-fiction blog entries, paintings, videos and music.  “From the Bed to the Lab” will be Lala Drona’s first solo gallery exhibition in Paris to present this work.  The art pieces are to be accompanied by performances and DJ’s during the night hours (TBA).  Check Lala Drona’s facebook page and stay updated on details about the most anticipated Lala event of the year.

Drawing up plans with friend and sculptor Jorge Silva ( http://www.jorge-silva.com/About )

EXHIBITIONS: From the Streets to the FIAC

Paris has been buzzing with its annual FIAC art fair, gathering high-profile groups of contemporary art collectors, museum curators and international dealers, and even winning international recognition through its rigorous selection process.  Lala Drona followers were proud to have seen prints of the artist’s work exhibited this year by renowned galleries from around the world.  The artist herself visited the fair on Sunday, and although she seemed slightly unamused, she agreed to pose for some photographs in front of her work.

Even stranger, the artist was spotted on the streets with originals of the same work exhibited at the FIAC.  She was first spotted setting up canvases in a busy metro station in the center of Paris, but quickly moved shop to appear in another metro station with fellow artist Dean James Lovett.  The two put on a metro exhibition, laughing over beers and presenting their work.  When beers were finished, they closed up shop and moved outside.

Lala and Dean set up their operation outside the Centre Pompidou where they shared champagne with passerbys and invited them to attend their “art opening.”  Marie Formi a witness to the scene commented on the show, “C’est le veritable art. (It’s real art)” she said. Many others commented on the artists’ show saying the artists would go far.

Although many enjoyed Lala’s street vernissage, critics were not amused with the stunt.  “It’s actually quite tasteless to have her prints selling at the FIAC for thousands, while she stands in the street and sells the originals for next to nothing,” says critic William Stockman from the British Contemporary Art Guild.  “It’s quite the slap in the face for the galleries that have supported her over the years.”

So what exactly is Lala trying to say with this stunt?  Is she pulling a Banksy to make a statement or is she aimlessly continuing her art and rock and roll lifestyle?  Perhaps we will just have to wait and see what else this young artist has got up her sleeve.

Samantha Craig, Faux Pas Magazine

First showing since art rehab! Success!

Lala Drona before opening.

At the base of Montmartre, Lala stands with the smokers and chills out after a successful art opening.  The night is calm, and the air chill enough to lure art enthusiasts into the small bar where Lala has presented her work for the first time since released from art rehab.  Samantha Bait, a well-known Parisian art appreciator commented on the exhibition.  “The story (behind the paintings) becomes more emotional and full of life as Lala Drona explains her work… I expect to see more paintings, a way to discover her.” Many others were also surprised by how personal the content was.  Abstract realism, women’s bodies, and no heads.  One, a self-portrait of the artist, a story about her medical history.  The colors illuminated the bar and impacted many of its onlookers.   

Based on a Fact had a moment to catch up with the artist and asked her why she chose such a personal subject matter.  She responded, “I’m an artist, so everything I’ve experienced is sort of on blast for the rest of the world.  What is art but another way of telling stories?  And who wants a half-finished story?  It’s like, sorry readers, but the author was too chicken to write the whole story, so you might not understand it with its missing pieces.  I think I’ve told every embarrassing or frightening story I’ve ever had in my paintings.  Or at least, that’s one of my goals.”

Although the last metro had ended, many stayed at the bar, sharing, talking and drinking.  “I had a great time.  Lala surely knows how to turn a bar into a place full of emotions with her beautiful paintings.  I’ll surely keep an eye on this artist,” said Amine B., CEO of Mazian.

Based on a Fact would like to thank everyone for participating in this special showing of Lala’s work.  For those who would like another chance to speak to the artist about her work, there will be a small showing Thursday May 30^th at the Botak Café.

Botak Café

Based on a Fact

Exhibition Opening: Paris, 210 days

This Friday May 17th at 7pm, Based on a Fact presents Lala Drona’s first exhibition since leaving art rehab.  These last 7 months in Paris, Lala has escaped paparazzi attacks, fought with the homeless, had run-ins with the police, been investigated for participation in a zoo jailbreak, got into turf wars with neighboring graffiti artists/gangs, has fallen on her face and broke her tooth, rejected from art school, arrested and out of rehab and still continues to stay in Paris despite the disaster it has come to be.  “It’s been quite a storm,” she quotes to the L.D. Times.  “Hopefully one day I’ll say it was the perfect storm!”

Based on a Fact

Exhibition Information: May 17th at 7pm

Botak Café (Montmartre)

1 Rue Paul Albert

75018 Paris