Lala: The European Art Tour

25 Oct

BOAF european art tour

Since her return to Paris last May, Lala Drona doesn’t seem to be able to keep her feet on the ground!  From France, to Spain and now to Portugal, her European tour is causing a media art frenzy!

In June 2018, Lala began her European tour at an art residency in Seville, Spain.  She spoke with the local media before her exhibition there “The Power of the Click” to tell them that she had been staying at the residency with seven other women artists from around the world.  “I had already lived with seven women once in a favela in Brazil in 2010, so I had my reservations about living with so many women at once, however, I was surrounded by so many talented, warm-hearted and hard-working artists.  I felt fortunate to be part of such an incredible team.”

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“The Power of the Click” triptych by Lala Drona

She went on to explain that the ecosystem of feminine energy and experience intensified her feminist beliefs and contributed to the creation of her triptych “The Power of the Click”—a piece which examines how our digital actions on women’s bodies can have consequences in the real world.  She continues to have strong links with some of the artists, and says that these artists support and inspire each other everyday through voice message notes.

Lala returned to Paris in August, where she recharged and replenished her inspiration receptors.  It was during this time that she locked herself in to her workshop and broadened the scope through which she viewed her current area of artistic research.

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Title: Speak or Listen, Artist: Lala Drona, Acrylic on canvas 50cm x 60cm Paris France, 2018

She had been sensing the world changing due to the growth of social media, a positive change where everyone started to have an opinion and exercised their voice.  And at the same time, a rise in the tendency to not listen to people when recounting their experiences.  “It’s important to remember that every conversation is not an attack or a debate, but that sometimes we are just sharing stories.

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Title: Zoom in 1, Artist: Lala Drona, Acrylic on canvas 50cm x 60cm Paris France, 2018

We don’t always have to prepare a rebuttal.  I notice a lack of picking up on those conversational nuances, a lack of knowing when to listen, and when to speak.  That’s why I created this painting [Speak or Listen].”
Through September and October, Lala stayed in Paris to show her work in an exhibition in the Marais, and work in another art residency.  Here, she decided to create 3 different paintings on one canvas (each new painting covering the last).  This concept aimed to push the artist to experiment and develop her style without the pressure of “the end result” looming over.  “I took aspects from the first and second paintings that I liked, and integrated them into the third painting.

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Title: Presenteeism, Artist: Lala Drona, Acrylic on canvas 100cm x 100cm Paris France, 2018

This method also gave me the freedom to try out new concepts in the first two draft paintings to know if I liked them enough to try them again in future paintings.”  She finished with the piece “Presenteeism,” a painting which examines how social media contributes to the overwhelming pressure to be seen/present at all times.  Lala plans to continue developing the geometric style found in this painting and further research the topic of how our digital lives on social media and the internet affect us IRL.  

 

During the months of November and December, Lala will participate in another artist in residency program in Alentejo, Portugal.  Here, she will continue research on her topic and create 2-3 painting to be shown in an exhibition in Portugal in December.  “I’m going into my project in Portugal with an open mind.  I’m waiting to be inspired by the moment.  I will definitely continue researching the same topic, but I have no images in mind yet.”

As far as the rest of the year goes, Lala has plenty of projects lined up.  We’ve heard rumours of Norway and New York, and have confirmed that she’ll have an exhibition in Lithuania this summer, and another in Finland in the fall. Get ready to see a lot of Lala Drona in 2019.

Jeff Southers, Columbus Ohio Journal of the Creative Arts

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Go Hashtag Yourself Interview, 2018

5 Oct

Lala Drona sits down with L.D. Times Magazine once again for an exclusive  interview.  This time she discusses the ways in which social media and the Internet influence and affect her work as an artist.  Read the full article here.

 

 

Lala goes blonde: show in the Marais–Paris

9 Sep

Image result for blond hair pngLala Drona opened the season last night with with a new look: Bleach blonde hair.   “I wanted to mark, and celebrate my first show in the Marais,” Lala said when asked about her new blonde hair.
She showed her triptych “The Power of the Click: Women’s bodies on the Internet” at the exhibition Lettres, Mots et Clics.  The exhibition opening took place at Galerie Art’et Miss in the Marais, a Parisian neighbourhood webbed of cobblestone streets, a trendy neighbourhood which is home to a large LGBT community and a diverse array of streetart.  See the video of the exhibition below.

If you’d like to read more about these pieces, please visit http://www.laladrona.com/paintings.html

Goodbye beauty and into the Darkness

28 Aug

I am beautiful

Artist:  “How would you describe this painting?”

Viewer: “I like it, but it’s so dark.  Sort of bumming me out.”

Artist:  “Really? You think it’s dark?

"Dr. Royal" Paris 2013
“Dr. Royal” 2013, by Lala Drona

 

I have dedicated my entire life to creating art.  Spanning from paintings, to video, to performance art, to short fiction.  I believe that creating from the most personal, connects most universally.  However, words in the form of viewer-comments hover over my creations, descriptors like “suffering,” “painful,” and “dark.”

The funny thing is, I’ve always been embarrassed of my dark side showing, although it is the natural way I create.  I feel like I seem weak, too self-pitying or self-indulgent; I’m ruining your good time.  During the creative process, my mind and hand have made a pact to tone down the darkness, to try and make it more digestible through bright colors, or balanced/symmetrical design which is pleasing to the eye.

 

I look at my pieces now with suspicion.  My themes are dark, and most embody suffering, because that has been my reality.  The decision to aesthetically express darkness and suffering in a way that is pleasing to the eye

“Beautiful on the Inside” 2017, by Lala Drona

plays the role of propaganda and glamourizes a perpetual cycle of suffering.  It packages hard truths in a cruelty-free, sterile and overly-inspected product—something impersonal and all too easy for the mind to take in and forget, trauma-free.

The truth is, as a woman with my specific experience, I believe that I’ve expressed my darkness through the scope of beauty because I felt that this was the only way my experience had value.  I am beautiful, therefore I am.  Gaining and being rejected access to resources has been heavily based on my outward appearance and presentation ([un]attractive; woman), and has infiltrated the most sacred parts of my being, and now I’ve been creating from it.  The societal pressures to be “polite,” “make sure everyone’s having a good time,” and “keep it light” have only served to silence my voice and my art has suffered because of it.  I am aesthetically pleasing to them.  I am beautiful, therefore I am theirs.

Moyen No. 1
“Moyen No. 1” 2015 by Lala Drona

                  Confronting the darkness within, a darkness I believe we all have access to, and then unabashedly expressing it, is one of my greatest fears.  However, I have always believed that if something scares you, it is a sign that you are going in the right direction, so you must do it.  The darkness in my work seems to always peek through, and now its time to confront it and accept it fully.  To approach its truth.

 

“Doom and Destiny” 2017, by Lala Drona

I fear that I’ll lose a handle on reality when diving into the darkness and chaos.  I fear what I will discover, what doors I may open or whether I’ll be able to return from the madness.  However, I must reconcile this within myself, and so here today, I pledge to create something brazenly dark.  No protection, and no filters that make the message more digestible.

I will release myself from the external motivators, from the viewer-comments and the male-gaze.  I will neither be nice nor polite, and I definitely will not “keep it light.”  I will create something “ugly,” and I will make the viewer

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“The First Follower” 2018, by Lala Drona

accompany me into the darkness.  Because We still exist without the mask of their “beauty.”  I will create something that aesthetically matches and communicates its message.  I will communicate truth.

Yes, I am beautiful, but I am not theirs.

 

See Lala Drona at her next exhibition in Paris at Galerie Art’et Miss in Paris, France– Sept. 8th 6pm-8pm.

invit-drona

Radio Interview with a Visual Artist

8 May

Lala Beijing Radio 2018_BOAF.png

Lala Drona in her first ever public radio appearance on Beijing International Radio.  Listen to her interview on Touch Beijing 93.2FM, where she explains what it means to be a visual artist today, and how Beijing has inspired her art.  Stay tuned until the end where she reveals her plot for the future.

 

Lalatina by Lala Drona

9 Oct

LalatinaA new video performance video from Lala Drona’s series “La Minute Lala” has just been released.  In her new video “Lalatina,” Lala Drona expresses her Latin American side.

Screen Shot 2017-10-10 at 06.52.20Lala Drona’s mother is originally from Caracas, Venezuela.  Her mother grew up in the project 23 de enero, a barrio infamous for it’s crime, slums and squatters: remnants of the 1958 coup d’etat which overthrew dictator Marquez Perez Jimenez.

Barrio 23 de Enero

23 de Enero, Caracas, Venezuela

“My mother’s experience growing up was not easy, but she has remained an optimist.  Her stories are unbelievable, and the values transmitted through them, indispensable to me.  These stories can only be described as dark magic realism.”

Lala Drona often integrates her mother’s experiences into her own in her writing and paintings.  “Some of the lines in my videos, in my writing are inspired by her.  She’s always there as an advisor on my paintings.  She is such a big part of me, and I am truly lucky to have her.”

Lala Drona continues to work and live in Beijing, China on her current series, “Wrong Place, Wrong Time,” a series inspired by her experience in China and taking place in her artistic universe.

Based on a Fact

Drone Video 2017

10 Sep

Three new Drones appear in this new video.  Drones Video 2017 has just been released:

L.D. Times Article: The Blank Canvas, 2017

25 Aug

Lala Drona opens up for the first time about her experience since arriving in China in an exclusive interview with the L.D. Times.  She comments on her new video, due to release next week: “The Blank Canvas.”   A deep and inspiring article that delves into the artist’s psyche.

Click the image below to read the full 6-page spread.

The Blank Canvas

 

 

Experiment Exposed: The many faces

5 Jul

Muse Experiment ExposedScreaming.  Laughing.  Machines whirring, and Lala’s face appearing on walls.  How do you feel about Lala in this current moment? What do you hear in this current moment?  What do you see in this current moment?

These were three questions asked after a reported muse experiment took place in Lala Drona’s art laboratory.  Just two weeks after the “Drones gone rogue” scandal, Drone Jack and Drone Ember release a shocking account of one of the muse experiments taking place in the Lala Laboratory.  Screen Shot 2017-07-05 at 06.29.33.pngDrone Ember recounts being “called upon” for one of Lala Drona’s art experiments.  After being paired up with another Drone (Drone Jack, whom opens the video with a speech) the two are led into the deepest rooms of the art laboratory.   Here, the two Drones aid in Lala’s strange inspiration extraction tactics.


This story certainly gives us much desired information about the inner workings of the laboratory and its experiments.  Drone EmberHowever, what type of inspiration extracted from the experiment, and how Lala will apply it to her art pieces has yet to be revealed.  Lala’s followers wait with anticipation for the release of the art piece inspired by this experiment, in order to gain more insight to the artist’s process, and to the inner workings of the experiments.

Thank you to Drone Jack and Drone Ember for their bravery and candor.

Based on a fact.

Randall Taylor, Droid and Drone Magazine.

When the cat’s away, the mice will play!

18 Jun

Lala Drona’s departure from Paris to Beijing marks the third occasion in which she has left a community of Drones behind.  Ms. Drona leaves each group of Drones with a specific set of instructions and regulations to follow while conducting their art and muse experiments.   However, without much oversight, it was just a matter of time before the Drones would start to take over.

In the name of art, two Drones have gone rogue, continuing their research and conducting art experiments unsanctioned by the Lala.  Drone Fletcher and Drone Tinas have implicated themselves in an online confession and apology, revealing the circumstances of their digression.

Has Lala lost control over her Drone franchises?  Will this video spark a trend in Drone digression?  Lala has got her hands quite full recruiting Eastern Drones in Beijing…will she lose control over her Western partners?

Based on a Fact.

Terry Samson, Creative Science Journal

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